By Phillip Crandall
Polished to a shiny overdubbed-to-oblivion sheen, the party-preaching I Get Wet did not trap the zeitgeist of rock on the flip of the century; it captured the timelessness of minor, as energized, notable, and unapologetically silly as ever. With insights from associates and exceptional aid from the mythological maniac himself - whose sermon and pa sensibilities proceed to polarize - this publication chronicles the sound's evolution, uncovers the relevance of Steev Mike, and examines how Andrew W.K.'s inviting, inclusive lyrics create the final word shared adventure among artist and audience.
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Andrew W.K.'s I Get Wet (33 1/3) by Phillip Crandall