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By John T. Soister

in the course of the Silent period, whilst so much movies handled dramatic or comedic takes at the “boy meets woman, boy loses lady” topic, different movies dared to take on such subject matters as rejuvenation, revivication, mesmerism, the supernatural and the ugly. A Daughter of the Gods (1916), The Phantom of the Opera (1925), The Magician (1926) and Seven Footprints to Satan (1929) have been one of the strange and startling motion pictures containing tale parts that went some distance past the area of “highly unlikely.” utilizing surviving documentation and their mixed services, the authors catalog and talk about those departures from the norm during this encyclopedic consultant to American horror, technology fiction and delusion within the years from 1913 via 1929.

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American Silent Horror, Science Fiction and Fantasy Feature Films, 1913–1929 by John T. Soister


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